Thousands of pages of original art — phffftt!
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by Nelson Dewey
In the 25 years I contributed to the Car Comics, I drew almost 2000 pages of art. Multiply that by the five to seven other regulars who contributed as much or even more. And the scores of others who did a few pages.
Roughly, that’s around 15,000 pages of original cartoons!
Every publication has its own way of dealing with contributors. Sometimes they buy all the rights to a cartoon; sometimes one-time rights, but I think most publications have become enlightened enough to return the artwork to the artists. Reluctantly.
In my case — and, I assume, most of the other Car Cartoonists — there was a lot of reluctance on the part of the publisher to return anything. But eventually, I got them to agree that I could have my original art back.
The problem was, they didn’t seem to be at all organized with the storage of artwork. I heard there were piles of unsorted drawings in a basement somewhere… and no-one was apparently willing to sort through it. I could have my artwork, I was told, if I’d pay the postage to have it sent to me. I was willing, but nothing came of the offer.
I live in western Canada, which is 1300 miles from where the publishing company was located, so going in person to collect the stuff wasn’t very practical, even if they’d allow me to rummage through the storage area.
Then, at a comic con in Seattle several years ago, I was approached by someone who said he had several pages of my original cartoons from one of the comics! He said he got them from a friend who knew someone who worked for the publisher! This was disturbing. But he was principled enough to return the next day, and give me the artwork. (If you read this, whoever you are, please get in touch; I’d like to thank you again.)
The last couple years have brought me more information about those thousands of pages of artwork. I was contacted by two different individuals who said they had some pages of mine… and did I want to buy them? Their stories were of finding piles of originals in dumpsters — my cartoons and others’ cartoons.
A couple months back, I heard, from another cartoonist who’d worked for the same comics, that a pile of originals had wound up on the front porch of a former editor, and had been severely damaged by rain.
Then, a few days ago, another cartoonist told me he’d bought some originals in a small used-book shop; the shop had acquired them from contractors who found them as they were demolishing the old offices of the publishing company!
To say that I’m pissed off at the way the publisher handled things — letting those thousands of pieces of artwork be stolen or dumped or destroyed or lost — well, that’s an understatement!

Apparently the company didn’t see any value in “comic book cartoons about cars“.
If you know anything about comic art and cartoonists, what do you think original art by Alex Toth, Robt Williams, Terry Gilliam, Rick Griffin, Gilbert Shelton, or Marty Murphy would be worth today? They all contributed to the Car Comics.
I don’t have much hope of getting any of my artwork returned to me. If it still exists, whoever does have it probably acquired it legitimately; it’s the apparent negligence of the publishing company I blame.
I learned a valuable lesson, though: hold onto original artwork! When I work on tangible art now (paper, ink, paint, etc), I keep possession of the originals and provide copies to the client. It might not be very valuable to anyone but me, but it’s mine.
If you’re an artist, a cartoonist, take care of your artwork; if not for yourself, then for your kids or grandchildren.


















A very sad story indeed. Shame on any publisher who does not place enough value on original art. To me it will always be priceless.
I feel your pain, Nelson, I contributed over 300 pages of cartoons to: CARtoons, HOT ROD CARtoons, CYCLEtoons, SURFtoons, CAR CRAFT and ROD and CUSTOM magazines and did not have a single page returned. On one occcasion I asked for a page to be sent back because an art school wanted to put it in their lesson book. They did return that page to me, but said that I had to return it to them within the month. When I published my book, CARTOONS ON WHEELS, in 2007 I could have used those origionals instead of coping from the printed pages. I really wonder of any of my pages still exist. Anyone know ?
Fred Boatman
As arguably the youngest contributor to CarTOONs, I certainly understand the investment more prolific cartoonists like yourself had in the Petersen titles, but after having been on the publishing side, there is the proviso usually on the checks that said it was for any and all rights to the materials submitted. That being said, the last time I was in the old Petersen building on Sunset years ago, there was CarTOONs art stored in their archives, and they actually had a very good filing system with folders for each issue and sections for each year.
I’m sure many of the editors that have worked in-house for Petersen/eMap/Source Interlink would know if any of it was transferred to the ‘new’ Petersen bldg. on Wilshire Blvd. or if any of it survived all the ownership changes that have occurred over the years. Maybe as a group everyone who had submitted art could draft a letter, which I could then present to the current top management at Source Interlink. I don’t know if they will relinquish any of the art or even acknowledge that it still exists, but at least we can give it a try. No harm, no foul, right?
Despite what many artists think, publishers aren’t all bad just as all gallery owners aren’t either. Once the materials have been used in the magazine, they usually want to keep it safe just in case they have need for it in the future. The Petersen Publishing archives are priceless, and should have been one of the most prized assets along with the titles themselves for any company that purchased or acquired the company. But considering the decades of materials and all the various titles they published, along with all the other titles consolidated under Source Interlink (including all of Argus, McMullen & Yee, and General Media’s Four Wheeler), it’s probably highly optimistic to think that they held on to everything.
With word of Source Interlink planning to move their L.A. office once again, I think if you want to make a formal request to try to reacquire this ‘lost’ art, we shouldn’t wait too long. Just let me know if this is something you want to do, and I’ll do what I can to see that it’s at least given serious consideration.
Jason– good to see you poking in on Motorburg! Sincerely an honor, and for those who may not know, if there’s anyone who deserves the tag “hooked up” in the industry, it’s this cat here… With your connections, I have no doubt that you’ll uncover a few “lost works”.
Thanks for the insight and suggestions as always!
Hope to see you around here a lot more!
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