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	<title>Comments on: Thousands of pages of original art — phffftt!</title>
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	<link>http://www.motorburg.com/?p=895</link>
	<description>An automotive art community, magazine and forum.</description>
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		<title>By: Brian</title>
		<link>http://www.motorburg.com/?p=895&#038;cpage=1#comment-842</link>
		<dc:creator>Brian</dc:creator>
		<pubDate>Mon, 14 Dec 2009 15:39:34 +0000</pubDate>
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		<description>Jason-- good to see you poking in on Motorburg! Sincerely an honor, and for those who may not know, if there&#039;s anyone who deserves the tag &quot;hooked up&quot; in the industry, it&#039;s this cat here... With your connections, I have no doubt that you&#039;ll uncover a few &quot;lost works&quot;. 
Thanks for the insight and suggestions as always!
Hope to see you around here a lot more!</description>
		<content:encoded><![CDATA[<p>Jason&#8211; good to see you poking in on Motorburg! Sincerely an honor, and for those who may not know, if there&#8217;s anyone who deserves the tag &#8220;hooked up&#8221; in the industry, it&#8217;s this cat here&#8230; With your connections, I have no doubt that you&#8217;ll uncover a few &#8220;lost works&#8221;.<br />
Thanks for the insight and suggestions as always!<br />
Hope to see you around here a lot more!</p>
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		<title>By: Jason R. Sakurai</title>
		<link>http://www.motorburg.com/?p=895&#038;cpage=1#comment-835</link>
		<dc:creator>Jason R. Sakurai</dc:creator>
		<pubDate>Sun, 13 Dec 2009 07:06:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.motorburg.com/?p=895#comment-835</guid>
		<description>As arguably the youngest contributor to CarTOONs, I certainly understand the investment more prolific cartoonists like yourself had in the Petersen titles, but after having been on the publishing side, there is the proviso usually on the checks that said it was for any and all rights to the materials submitted. That being said, the last time I was in the old Petersen building on Sunset years ago, there was CarTOONs art stored in their archives, and they actually had a very good filing system with folders for each issue and sections for each year.  

I&#039;m sure many of the editors that have worked in-house for Petersen/eMap/Source Interlink would know if any of it was transferred to the &#039;new&#039; Petersen bldg. on Wilshire Blvd. or if any of it survived all the ownership changes that have occurred over the years. Maybe as a group everyone who had submitted art could draft a letter, which I could then present to the current top management at Source Interlink. I don&#039;t know if they will relinquish any of the art or even acknowledge that it still exists, but at least we can give it a try. No harm, no foul, right? 

Despite what many artists think, publishers aren&#039;t all bad just as all gallery owners aren&#039;t either. Once the materials have been used in the magazine, they usually want to keep it safe just in case they have need for it in the future. The Petersen Publishing archives are priceless, and should have been one of the most prized assets along with the titles themselves for any company that purchased or acquired the company. But considering the decades of materials and all the various titles they published, along with all the other titles consolidated under Source Interlink (including all of Argus, McMullen &amp; Yee, and General Media&#039;s Four Wheeler), it&#039;s probably highly optimistic to think that they held on to everything. 

With word of Source Interlink planning to move their L.A. office once again, I think if you want to make a formal request to try to reacquire this &#039;lost&#039; art, we shouldn&#039;t wait too long. Just let me know if this is something you want to do, and I&#039;ll do what I can to see that it&#039;s at least given serious consideration.</description>
		<content:encoded><![CDATA[<p>As arguably the youngest contributor to CarTOONs, I certainly understand the investment more prolific cartoonists like yourself had in the Petersen titles, but after having been on the publishing side, there is the proviso usually on the checks that said it was for any and all rights to the materials submitted. That being said, the last time I was in the old Petersen building on Sunset years ago, there was CarTOONs art stored in their archives, and they actually had a very good filing system with folders for each issue and sections for each year.  </p>
<p>I&#8217;m sure many of the editors that have worked in-house for Petersen/eMap/Source Interlink would know if any of it was transferred to the &#8216;new&#8217; Petersen bldg. on Wilshire Blvd. or if any of it survived all the ownership changes that have occurred over the years. Maybe as a group everyone who had submitted art could draft a letter, which I could then present to the current top management at Source Interlink. I don&#8217;t know if they will relinquish any of the art or even acknowledge that it still exists, but at least we can give it a try. No harm, no foul, right? </p>
<p>Despite what many artists think, publishers aren&#8217;t all bad just as all gallery owners aren&#8217;t either. Once the materials have been used in the magazine, they usually want to keep it safe just in case they have need for it in the future. The Petersen Publishing archives are priceless, and should have been one of the most prized assets along with the titles themselves for any company that purchased or acquired the company. But considering the decades of materials and all the various titles they published, along with all the other titles consolidated under Source Interlink (including all of Argus, McMullen &amp; Yee, and General Media&#8217;s Four Wheeler), it&#8217;s probably highly optimistic to think that they held on to everything. </p>
<p>With word of Source Interlink planning to move their L.A. office once again, I think if you want to make a formal request to try to reacquire this &#8216;lost&#8217; art, we shouldn&#8217;t wait too long. Just let me know if this is something you want to do, and I&#8217;ll do what I can to see that it&#8217;s at least given serious consideration.</p>
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		<title>By: fred boatman</title>
		<link>http://www.motorburg.com/?p=895&#038;cpage=1#comment-284</link>
		<dc:creator>fred boatman</dc:creator>
		<pubDate>Mon, 28 Sep 2009 15:57:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.motorburg.com/?p=895#comment-284</guid>
		<description>I feel your pain, Nelson, I contributed over 300 pages of cartoons to: CARtoons, HOT ROD CARtoons, CYCLEtoons, SURFtoons, CAR CRAFT and ROD and CUSTOM magazines and did not have a single page returned. On one occcasion I asked for a page to be sent back because an art school wanted to put it in their lesson book. They did return that page to me, but said that I had to return it to them within the month. When I published my book, CARTOONS ON WHEELS, in 2007 I could have used those origionals instead of coping from the printed pages. I really wonder of any of my pages still exist. Anyone know ?  
       Fred Boatman </description>
		<content:encoded><![CDATA[<p>I feel your pain, Nelson, I contributed over 300 pages of cartoons to: CARtoons, HOT ROD CARtoons, CYCLEtoons, SURFtoons, CAR CRAFT and ROD and CUSTOM magazines and did not have a single page returned. On one occcasion I asked for a page to be sent back because an art school wanted to put it in their lesson book. They did return that page to me, but said that I had to return it to them within the month. When I published my book, CARTOONS ON WHEELS, in 2007 I could have used those origionals instead of coping from the printed pages. I really wonder of any of my pages still exist. Anyone know ?<br />
       Fred Boatman</p>
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		<title>By: Todd Jones</title>
		<link>http://www.motorburg.com/?p=895&#038;cpage=1#comment-262</link>
		<dc:creator>Todd Jones</dc:creator>
		<pubDate>Thu, 24 Sep 2009 19:38:04 +0000</pubDate>
		<guid isPermaLink="false">http://www.motorburg.com/?p=895#comment-262</guid>
		<description>A very sad story indeed. Shame on any publisher who does not place enough value on original art. To me it will always be priceless.</description>
		<content:encoded><![CDATA[<p>A very sad story indeed. Shame on any publisher who does not place enough value on original art. To me it will always be priceless.</p>
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